Case Study / Selected Work
Case Study / Selected Work
UI in Motion
UI in Motion
UI in Motion
UI in Motion is a self-initiated series of short interface films exploring how music can shape typography, timing and transitions.
Using an Apple-inspired visual language as a starting point, I develop each film around a track’s rhythm and emotional tone, translating what I hear into movement.
UI in Motion is a self-initiated series of short interface films exploring how music can shape typography, timing and transitions.
Using an Apple-inspired visual language as a starting point, I develop each film around a track’s rhythm and emotional tone, translating what I hear into movement.
Context
Context
Self-initiated
Self-initiated
DELIVERABLES
DELIVERABLES
UI Animation
Motion Design
Video Editing
Sound Design
UI Animation
Motion Design
Video Editing
Sound Design
Year
Year
2025 – Present
2025 – Present
Role
Role
Motion Designer
Motion Designer
What I hear in music, I try to make visible.
What I hear in music, I try to make visible.
What I hear in music, I try to make visible.
Motion System
Short-form interface films exploring how music and emotion shape motion, type and interaction.
Short-form interface films exploring how music and emotion shape motion, type and interaction.
Short-form interface films exploring how music and emotion shape motion, type and interaction.
06
06
FEATURED FILMS
2.0M+
2.0M+
TOTAL VIEWS ACROSS THE SERIES
Process
Each film starts with the track, not the screen. I listen on repeat until the music begins to suggest a visual direction — a rhythm, movement or interaction that can carry its emotional tone.
From there, I build inside After Effects. Type, transitions and interface interactions are tested and refined until the movement feels clear while staying true to the track.
The goal is not to decorate the song with motion, but to find a visual form that carries its feeling.
Each film starts with the track, not the screen. I listen on repeat until the music begins to suggest a visual direction — a rhythm, movement or interaction that can carry its emotional tone.
From there, I build inside After Effects. Type, transitions and interface interactions are tested and refined until the movement feels clear while staying true to the track.
The goal is not to decorate the song with motion, but to find a visual form that carries its feeling.
Each film starts with the track, not the screen. I listen on repeat until the music begins to suggest a visual direction — a rhythm, movement or interaction that can carry its emotional tone.
From there, I build inside After Effects. Type, transitions and interface interactions are tested and refined until the movement feels clear while staying true to the track.
The goal is not to decorate the song with motion, but to find a visual form that carries its feeling.